













THE ANTI SOCIAL NETWORK
SECOND YEAR 2019
STUDIO 02.02.01
HIGH DISTINCTION
STIMULI
Maison D'verre, P. Chareau
Bordeaux House, R. Koolhaas
Goldstein Residence, J. Lautner
This project explored the potential of a post-labour society. Intensive in its demand of creativity, countless reiterations, and the research of a range of architectural references, this semester-long project has resulted in the creation of an 'anti-social network' -seeking to reimagine the limits of social desirability and speaking directly to current social standards regarding identity, authenticity, and public desirability within society.
Domination of the digital network has birthed a civic sphere in which authentic expression has been sacrificed in place of a constant drive towards an ‘avatar’, that is considered desirable to the public eye. This avatar portrays a self that is appropriately obscure, never entering the realm of incomprehensible ‘otherness’. Identity politics relating to the ‘queer’ have been taxonomised as minority brands, competing for small pockets of power mainstream society allow them in order to maintain diversity.
Our new regime calls for the normalcy of absurdity. The social network has been physicalised into a street, within which actors cannot hide behind atomised avatars. Luxury has been reinterpreted, with radical otherness ambitioned as a new category of desire. The typical notion of a street has been radically reshaped to facilitate a new form of human interaction; in which dysfunctional play and negative tensions are is encouraged. This reformed street encapsulates the potentialities of multitudes in a free, fully unrestricted environment, and with this, a new domesticity has been born.
[adobe illustrator]
[rhinoceros3d]
[photoshop]
[hand modelling]
[laser cutting]